Wednesday, March 10, 2010

YA & Sexuality - Part II: Why This Matters

First off, I want to thank everyone for the kind comments.  I'm not huge on getting into my personal life on this blog, but I think that in order to make my point, I have to be totally upfront.  So I appreciate how awesome you all are.

Now, on to why conversation about YA and Sexuality matters to me.

Like I mentioned in Part I, I finally realized I was gay--attracted to men--but there's a huge difference between being gay and BEING gay.

I didn't have a problem with the sexuality part of it.  I accepted pretty quickly that I was attracted to my own gender.  The part that was confusing and difficult for me to handle was what being gay actually meant.  My role models were few.  Because of a lack of LGBT representations in books/movies/television, I began to believe that in order for me to be gay, I had to become a stereotype.

Back then I believed that gay men were flamboyant (Nathan Lane in the Birdcage), obsessed with sex, addicted to drugs, only listened to bad dance remixes of worse pop songs, and shallow.  My step-father worked as a police officer and the only gays he saw were the ones he was arresting outside of park toilets.  I thought that you were either out, loud, and proud, or a doomed closet case.  I didn't want to be either.  I felt like an outsider.  And that was tough, because I'd always felt like I was on the outside.  When I came out, I assumed that I'd get my toaster and be welcomed into the gay community, a place where rainbows hung in the air 24-7.  But instead I was an outsider to outsiders.

It was a really lonely place.

I did my best to fit in.  I began making bad choices, compromising my moral code, and wearing a lot of stretchy shirts.  I traded my indie music cred for Jessica Simpson remixes.  I smoked and drank and experimented with drugs.  I managed to have some fun and meet a few genuinely great people, but at the end of the day, when I was home and didn't have anyone to impress, I knew I wasn't being me.

My sense of self was in the toilet.  I was cutting myself frequently and engaging in risky behavior (like wearing shiny shirts in public).  Years later my best friend wrote me a letter about how I was during that time.  She said that in me she'd found her outcast soulmate but that I'd become someone else.  Someone "cool" who smoked and went to clubs and had boyfriends.  I look back on that time and, while I may have looked cool on the outside, I was miserable and I hated my life.

The dichotomy between who I was and who I was trying to be was tearing me to shreds.  A couple of months before my twentieth birthday, I reached a breaking point.  I reasoned that if I couldn't stand being who I'd become, and I couldn't be accepted for the geek I knew I was, that I shouldn't be at all.

I took an entire bottle of Tylenol and called it a night.

Fifteen hours later I called 911 and was rushed to the hospital.  My parents were prepared for the worst.  The doctors were convinced I was going to need a new liver.  I'd waited far too long for the one Tylenol counteragent to be effective.  I don't know if it was hope of hopelessness, but they gave me the mucomyst anyway.

Any which way you slice it, I should have died.  But I didn't.  It was a tough week in ICU but slowly my liver enzymes returned to something approaching normal.  If I remember correctly, normal liver enzyme counts should be from like 5-50.  When I entered the ER, mine were in the thousands.  I'm not a believer in the scary Bible God who smites people and kills babies, but I can't deny that some miracle occurred.  And I'm thankful it did.

After I left the hospital, I voluntarily checked myself into a mental facility where I spent another week.  I'll be honest, I'd decided in the ICU that I didn't want to die, but I was far from cured.  I told those doctors in the mental facility what they wanted to hear.  It took me a few more years to learn that being gay didn't mean changing who I was.  I did stop the cutting and I never attempted suicide again, but my journey to understanding was years long.

These days I'm back to wearing t-shirts and jeans, being unfashionable, and listening to music I like.  I learned that sexuality is just a part of me, and not even a very important one.  It's a facet.  A blip.  When I die, my headstone isn't going to read:  Here rests Shaun, he was gay.  At least I hope that's not what it says.  I'm so much more than gay.  I'm a writer, a geek, a pet owner, a friend, a computer nerd, a decent skier, a terrible guitar player, an even worse painter, a fair singer, a son...

But I didn't know that then because I was never reflected in the literature I read.  LGBT youth were almost never represented in the literature I was reading, and when they were it was all doom and gloom.  I'm not pointing my accusing finger at books and blaming my suicide attempt on the lack of positive representations of LGBT, but I also am.

If writers like David Levithan had been writing when I was in high school, I might have been able to see that my limited view of sexuality was wrong.  I might have been able to see that being gay isn't a techno prison sentence.  Gay people DO listen to techno, but they also listen to country and rap and indie and classic rock.  Lesbians and gays and bisexuals and transgendered kids and straight kids--they're artists and football players and debaters and writers and Neil Patrick Harris.  Sexuality isn't a box, it's a key.

So being gay isn't a big deal.  I learned that.  But talking about it is.  Talking about sexuality in YA novels DOES matter.  Because maybe if I'd seen someone who looked like me, someone I could have related to in a book, I wouldn't have felt so damned alone.

We can't change the past but we can change the future.  We can keep the next kid--all the next kids--from feeling alone.

Come back on Friday for Part III where I'll talk about how other writers are tackling this issue, how I tackle it in my own work, and how you can help too.

************SPECIAL NOTE****************

Suicide sucks.  It's just not the answer.  If you or anyone you know is feeling suicidal, please talk to someone.  A friend, a parent, a priest, a teacher.  There are so many resources.  Call 1-800-273-TALK (8255) or check out the Suicide Help Line website

Monday, March 8, 2010

YA & Sexuality - Part I: Full Disclosure

So I decided that I wanted to do a post about sexuality in YA.  It seems to me that it's something people don't talk about often enough (though there are some really great resources out there and loads of people doing great work).  And when they do, it's usually an either/or conversation (either there should be gay books or there should not). 

But I think the conversation about sexuality in books is bigger than that.  It's about inclusivity.  It's about creating literature that is representative of everyone  It's not just gay vs. straight or whether transgender or sexually ambiguous teen characters have a place in literature.  It's not even just about boys vs. girls and the stereotypes that surround the genders.  It's about that one kid thumbing through the YA books at a library in a small town, looking for some small ray of hope.  Looking for characters in a book that he or she can relate to and not feel so damn alone. 

The more I thought about this post, the more I realized that it was going to be long.  So I'm going to break it up into three pieces.

Part 1:  Full Disclosure.
Part 2:  Why This Matters.
Part 3:  What I'm Doing About it and What You Can Do.

Here goes:

The first time I thought I might be gay was when I stole a Playgirl from my job at Waldenbooks.  I was sixteen and only a little confused.  Stealing the mag was cake.  They kept them back behind the bank of registers.  After a long day of trying to sell people those useless membership cards, I took my time closing my register.  While the others were shelving books (a task I came to hate), I slipped the magazine under my shirt.  I remember sweating through the rest of my shift and being so happy when I got to my car and could take it out.  As a side note, I got fired for that incident.  Some loss prevention guy came in because someone (not me) had stolen an expensive Dungeon and Dragons book.  Five minutes under that dude's knowing gaze and I spilled my guilt-ridden guts on the floor at his feet. 

The confusing part was that while I did enjoy the...articles...in the Playgirl, I also enjoyed making out with my girlfriend.  Hormones are a funny thing.  I think that's what makes it so tough for teen guys.  I mean, if I'm being honest, at sixteen I could have been turned on by a brick wall.  I didn't spend too much time thinking about it. 

For almost the rest of my high school career, I continued dating girls in public, and dating my magazine in private.  And it wasn't even a strange dichotomy to me.  I actually liked the girls I dated.  I didn't talk to other guys about it, but I figured it was just something all guys did.  This was before the Internet was the wonderland of exploration it is now.  Back then, there was AOL and bulletin boards--neither were places a confused 16 should be trolling for existential truths.  But by the end of my senior year, I began to realize that I was different.  My older brother had already come out to the family.  He and I weren't particularly close growing up, so I wasn't able to talk to him.  What ended up happening was that my parents went out of town.  I spent the entire time watching bad movies and writing a play.  It was a terrible, terrible play, but one of the characters had to admit to his friends that he was gay.  When I finished the play, I was emotionally wrecked, but I realized that the character I'd written was me. The play was dramatic and angsty.  I practically drowned every word in melancholy. 

My actual coming out process was much less dramatic.  Slowly, I came out to friends.  I was one of the lucky ones.  Nothing bad happened.  My best friend had known for years, and my telling her only brought us closer together.  Other kids found out and none of them cared.  I was still the same kid I'd always been.  Some were shocked, some were not.  I only lost one friend in the whole deal and I honestly believe it had more to do with a natural growing apart than any real animosity.

It was about 9 more months before I told my parents.  I'm the sort of person who likes to figure things out, and I didn't want to tell my parents until I was 110% certain.  See, being gay was still an abstract idea to me.  I'd never dated a guy, never made out with one.  So, until I did, I knew I couldn't be completely certain.

When I did tell my parents, my mom cried because she really wanted grandkids, but she got over it quickly.  She had gay friends growing up and gay friends as an adult.  Now both of her sons were gay.  She dealt. 

Now that I knew, and knew for certain, I was faced with the daunting prospect of being gay.  What did that mean?  Up to that point I was a shy, bookish young man who excelled at slacking, debate, English, defying authority, and not doing drugs.  I didn't fit into the stereotype of what I believed a gay man was.  I was just me.  I wasn't fashionable, wasn't cool, read fantasy novels and philosophy, and listened to PJ Harvey and 10,000 Maniacs. 

Coming out was the easy part.  Figuring out what being gay meant was not. 

Check back on Wednesday for Part II.  I'll talk about why it's important to discuss sexuality in YA and how it could have saved me a week in a mental hospital.  

Sunday, March 7, 2010

Say It Ain't So, Joe!

My title has nothing to do with the post.  Welcome to another blog chain!  This fantastic chain was brought to you by Eric who asked:

Do you create characters who are larger-than-life or are your characters more like the average Joe?

First off, I love this topic, so great job, Eric!  I'm firmly on the side of the average Joe's.  I know there are a lot of great characters who are larger than life:  Batman, Ironman, etc.  But I think the truly great characters are those who we can relate to.  I think that's especially true in YA.  If we can't see ourselves in our heroes, then it's difficult to relate to them.  And that's what I like to do.

But books would be boring if they were all about normal people doing normal things.  I, for one, would never want to read a book about my own life.  What a yawner that would be.  So I like to take unusual situations and drop unlikely people into them.  Force a geek to save the world, a solid D student to disarm a bomb, an unpopular overweight kid to get the girl, a socially awkward kid to go on a crazy road trip.  Do those things and you'll begin to see that even the most average of average people is amazing.    When readers see that, then they'll see the same things about themselves.

Everyone is a hero to someone else.  Sure, we need larger-than-life heroes because it gives us something to aspire to, but we also need to see the hero within ourselves.

Check out the wonderful Michelle's blog for the previous post, and then tomorrow check out the fabulous Cole for her take.

Thursday, March 4, 2010

Shoutouts and Housekeeping

I'm so happy that it's Thursday.  I don't know where this week went.  Jeez!

I just wanted to take a quick moment and thank everyone who reads my little blog.  The next few months are going to be huge and I'm really lucky to have such great people around me.  I'm really terrible at keeping up with the comments down here, but I do read them and try to get them when I can.

Future posts.  Ideas?  I'll have more on my plans for getting books for boys more exposure.  I'm planning some posts on race and sexuality in YA.  Also more on the line between realism and gratuitousness.  Down the line I'll also be having some author interviews and agent interviews.  If there's anything you all really want to see, I'll give it a go :)

I finalized the design for deathdayletter.com  I'm going to be working on the content over the next few weeks, but the design is good to go.

I also wanted to add a shout-out to a great blog by a rad author/mom/superhero:  Margie Gelbwasser.  Margie's blog hasn't been around long, but she's already managed to score some fantastic interviews and has really outstanding content.  Her book INCONVENIENT comes out this year from Flux.  Drop on by and show her some love.

For that matter, you should also check out my agency mates Cole and Shannon.  Cole is absolutely hilarious and Shannon writes some of the best, most informative blog posts out there. Both rock.

Cool.  I think that's it.  I'll be back to some regularly scheduled posting on Monday.  Have an awesome weekend!

Monday, March 1, 2010

Some Monday Tenners

This week I had the pleasure of reading two spectacular Tenner books.  I know you may think I'm biased and I guess I am, but I'm also extraordinarily impressed with the Tenner books I've read so far.

This time around I read MISTWOOD and A LOVE STORY: STARRING MY DEAD BEST FRIEND.

MISTWOOD by Leah Cypess was another one of those books I'd likely not have chosen to read on my own.  Having said that twice now, I realize that I'm going to have to overcome my own biases and read more books I wouldn't normally read because I think I'm missing out.  MISTWOOD was beautiful and haunting and reminded me a lot of the fantasy novels of Raymond E. Feist that I read as a boy.  You can check out the plot here, but the short of it is that Isabel is a shape shifter who must navigate court politics to protect her liege.  Start this one when you have enough time to finish it otherwise you'll miss out on a night of sleep.  Seriously.  Leah's writing style is so fantastic that this book is like a black hole that sucks you in and refuses to let go.

A LOVE STORY: STARRING MY DEAD BEST FRIEND by Emily Horner had the kind of characters that I wanted to jump through the page and hang out with.  They reminded me a lot of my own friends from my own drama days in HS.  It's two stories in one:  The story of Cass trying to get over the death of her best friend, and the story of Julia's friends trying to pull together and put on the musical that Julia penned before her death.  It was funny and awkward and perfect.  Emily's writing style is easy and heartbreaking.  Oh, and if Totally Sweet Ninja Death Squad is ever made into a real musical, I'm totally in.  Seriously, Emily.  Call me.  I can sing.  And I don't mind fake blood.

Friday, February 26, 2010

Blog Chain: I'm a Schizo and So Am I.

Welcome to another awesome blog chain.  This one is brought to you by the fantastic Cole, who will be 29 forever (HAPPY BIRTHDAY!).  Her question is:

How do you get inside your character's world?

Usually with a crowbar and some rope.  Oh.  Characters.  Got it.  I thought you meant--

The real answer is:  any way I can.  Sometimes characters come up and start shouting in my ear.  They tell me everything there is to know about them and lots of stuff I don't want to know.  But sometimes they're shy and they string me along and getting info is like stealing candy from babies (which is NOT easy, btw..babies scream loud...and they bite).

There are some things I do to help me figure out my character's world.  I like to find pictures of them.  Be it actors or models or random people on the street.  For example, the physical appearance for my MC in Deathday Letter is modeled after this dude, who plays on a show called GREEK.  There are differences of course, but it gave me a place to start.

I also use wiki's.  You know, like wikipedia.  What I do is start writing info about my story and then that leads to more and more.  If you know how a wiki works, the articles can start to expand exponentially, but it's a great way to get loads of info down.

Another way is to handwrite.  I'm a fast typist, but when my MC clams up, I find that talking to him or her via a fountain pen and a cool notebook helps me connect.

The best way though to get into my character's world is to just listen.  Example:  I got this story in my head about this teenage boy who was living in a hospital.  I didn't know why or what he was doing.  I didn't know his real name or anything.  Just that he was living in a hospital.  I wanted to know why, but my MC wasn't talking about it.  He did talk about a lot of other stuff though.  So I followed him around. I watched LIFE IN THE ER, I drew on my own experiences from EMT classes and the shifts I did in hospitals and on ambulances.  Sometimes he told me stuff and I never knew what was true, but he told me his routine and introduced me to his friends.  66k words later, I knew everything I needed to know.

I've done everything to get into a character's world from contacting a magician, to stalking Google street view, to talking with a bad British accent to my dog.  But the thing that worked the best is just listening to my characters.  They give me all the info I need to know.

So I guess I'm the last link in this chain, so catch us again on March 1 when Eric, who wrote the post before me, starts off.  Good luck, Eric!

Tuesday, February 23, 2010

Feminism?

I was waiting for Damages to come on last night and The Devil Wears Prada was on FX.  I've seen it.  Don't laugh.  But something always irked me about the movie.  It's supposed to be about a young woman who decides to forgo her boss's cutthroat ways to prove that a woman can make it without having to act like a psycho.  Seems pretty straight forward.  But I want you to take all the roles and reverse the genders.

Meryl Streep's character is a ball busting woman who gets what she wants.  She's a little devious and very demanding.  However, had the character been played by a man, he would have been the hero of the movie.  Now take Anne Hathaway's character.  She's mousy and loyal with a bushy-eyebrowed boyfriend and preachy friends.  Over the course of the movie she does what she needs to to be great at her job.  And then she's punished for it.

Her friends judge her for missing her BF's bday party and for EGADS letting a man kiss her cheek, and then her boyfriend breaks up with her for doing her job.  If the genders were reversed, the woman would be expected to keep her mouth shut while the man worked hard to get to the top.

Then, the ending really got me.  Because after Anne H's character gives up the best job she'll ever have and grovels to her boyfriend, he announces that he's applied for and is taking his dream job in another city.  And she's all like, YAY!!!

In the end I'm not sure if this movie is supposed to be pro feminism or if it's supposed to demonize the working woman and sending her scurrying back to the kitchen.

It's one thing when women are sexualized and minimized by men, but when women do it to each other in movies aimed at women, it's frustrating.

Unfortunately, in this case, I think the devil was the one behind the camera.

Incoherent mini-rant over.