Monday, April 27, 2009

The Big Revision

Waiting. It's what I'm learning to do a lot of.

I wrote Deathday Letter and waited to hear back from agents. I sent them the manuscript and waited to hear their responses. I did some revisions and waited to see what they thought. We submitted to publishers and then waited to hear back from them. I did more revisions and waited to see if they'd bite.

Now I'm waiting for the last set of BIG revisions. Essentially what went down was that my fantastic editor loved my voice and characters and concept, but thought I'd kind of missed the mark on my plot, so she bought me a clue and set me loose to see if I could revise based on her input. She liked it and the book sold. But it's still not finished. In a week or so I'll get a book-sized list of suggestions that I'll have to digest and incorporate (or not) into my book. It's scary. I was game on the original revisions because the plot didn't really change, I just focused in on something else. It's like when you take a picture, and it's an awesome picture, but instead of focusing in on the person in front of the tree, you focus in on the tree. I'm scared that, having had a few months to mull it all over, they're going to want me to get rid of the tree all together and focus on something else.

I'm likely just fretting over a thing that won't be an issue, but that's what I do when I have to wait.

Still, it's all awesome.

To a Better Week and Beyond!

Starting out the week with a laugh...

BTW - The Pretty Woman he's singing about is probably in his basement under a tarp.


Wednesday, April 22, 2009

Crap Week

This week has been crap. It's been crappier than crap. It's been crap with corn. So here's the funny:




Wednesday, April 15, 2009

Taking a Break

It was about a year and a half ago that I decided to really take my writing seriously. I hadn't written much in a couple of years and I was surprised by how terrible and out of practice I was. I'd sit for ten minutes trying to think of a word. That's because writing is like playing the guitar; you'll never be able to play an F chord if you don't practice.

So I've been writing pretty much every day for the last year and a half. Every time I finish something, I immediately move onto something else because I'm afraid that if I stop, if I take a break, I'll lose what I've gained. I'm also an inherently lazy person, so I'm afraid if I don't stick to my routine, I'll have trouble getting back into it.

The problem is that i dove into this present work without much planning. I'm not really a planner. I know where the story begins and where it ends and I like to just wing it from there. Usually that works out well for me. It allows me to take side trips I wouldn't have take had I mapped out every aspect. But it doesn't always work. I'm at about 60k words for my current project. I know what the ending looks like and I've been working toward that. However the last couple of weeks have seen me struggling more and more every day, until yesterday and today I found myself just sitting there, staring at the screen wondering how I'd ended up where I was. I realized if I stayed the course, I'd end up with a story I didn't want, and if I wanted to get to the ending I'd originally intended, I'd have to go back, almost all the way to the beginning and start again. The problem is that I'm not sure yet, where I went so wrong.

And worst of all is that I'm not entirely certain the story is worth saving.

My agent's been trying to get me to slow down since he signed me. And while I heard him, I didn't really listen. So I'm taking a break. At least until my revision deadline for Deathday Letter. I'll keep up my routine by doing some short stories or something, but mostly I think I just need to find the right idea and go from there.

Sometimes I wish that I was the kind of writer who only had one idea. But I'm flooded with them. I'm practically Noah.

Maybe I'll write a story about a clown hunter.

Saturday, April 11, 2009

All About the Blech

I'm at THAT point. I'm 50k words in and I just want to strangle my book. All the doubt has begun to seep in. Wondering if it's any good, if it's worth continuing, if Deathday Letter was just a fluke.

Sometimes persevering is hard work, man. Especially with this book. I know what the last chapter looks like and I know some of the points inbetween, but I feel like a blind man in a room full of marbles trying to navigate from one scene to the next. Plus, I can't tell if the story is boring or if I've just grown impatient and bored with the story.

Ugh. At least last night's finale of Sarah Connor Chronicles kicked major ass (as did Dollhouse). So there's always that.

Tuesday, April 7, 2009

Back in the Day

When I was a freshman in high school, I took algebra with Mrs. Alley. I really hated that woman. I hated her as much as I hated algebra. Math just isn't my strong suit. Homework isn't either. Anyway, I took algebra with a girl named Stephanie G. I didn't know most of the kids in my freshman class because I went to a private middle school, but I really wanted to be popular.

Homecoming was quickly approaching and I knew that the fastest route to popularity outside of a tattoo or addiction to Marlboro reds, was to take Stephanie G. to the dance. Let me set the scene for you here: I was wearing these above-the-knee denim shorts and blue and orange striped knit tee that my mom had gotten me (forced me to wear) from the GAP. This was before the GAP was cool and then uncool again. I think the GAP might be cyclical, like disco (even people who like it don't admit it). Anyway, there I was, all ninety pounds of me (50 of those ninety pounds were in my nose), with my hair gelled into submission. I waited all through class, enduring the embarrassment of having to put my name on the board (again) for not completing my homework, not listening to a single word Mrs. Alley said. Solving for X or Y were not going to make opening my mouth and asking out Stephanie G. any easier.

When the bell rang, I grabbed my books and ran after her in my girl's sneakers (my mom always tried to convince me that girl's sneakers were JUST like boys...but with flair!), and called for her to wait. I summoned all my courage (and very nearly my breakfast of frozen waffles) and said, "Hey. So. Yeah. I was just wondering if you wanted to go to homecoming with me?" I was stunned that the words had even managed to leave my lips. That my vocal chords had produced the sounds. In front of a girl. A live girl. A popular live girl who was suddenly six feet taller than me and staring at me like she was hungry and I was made of sausages.

She stared at me, and she wasn't the only one. See, I hadn't done the smart thing and waited until she'd separated from the herd, I'd put her on the spot in front of EVERYONE. If she eviscerated me, I wouldn't be able to slink off into the shadows and lick my wounds, I'd be forced to endure public and enduring agony. In front of my peers. Who were judging every move I made. It was a tactical error, but I was a Spartan, rushing off to battle dressed in nothing but my girl's shoes and shield!

After about ten seconds (ten long, agonizing, painful seconds) she said, "Do you have a car?"

Do I have a car? What kind of stupid question was that? Same class, same grade, same age. How could she think I had car? On what planet was it possible that a fourteen year-old would have a car? Of course, it's not like I was after her for her brains or anything. At that age, I wasn't actually sure WHAT I was after, but I was sure that brains weren't terribly important. In no part of the popularity equation were brains a factor to be factored.

Okay, to be absolutely, one hundred percent honest, the only thing going through my brain at that exact moment, while Stephanie G. and thirty of my peers (and likely Mrs. Alley) waited for my answer was: BREATHE!

My "No," rolled out of my mouth like a marble and hit the cold floor with a hard splat. I waited for her to laugh, to tell me she wasn't interested, to tell me it as all right because she had an older sibling and/or guardian who could take us. Stephanie G. did none of those things. She didn't answer at all. At least, not in words. Stephanie G.'s look of curiosity turned to horror. I was no longer a skinny, pale boy in bad clothes asking her to the first dance of both our high school careers, the dance that would likely set in stone our social standing for the next four years of our poor delicate lives, I was a plague. I was ebola. I was blood oozing from every available orifice. Just being near big-beaked-pale-boy-with-no-car was enough to catch my disease. So she flipped her wavy brown hair and walked away like the entire incident never happened. Except it did happen. And it continued to happen over and over and over again.

I didn't go to homecoming that year. Or any year. Instead of Stephanie G. my first girlfriend was an overweight, sixteen year-old Salvation Army bell-ringer with a preoccupation for sticking her tongue down my throat during Disney movies. I was still fourteen at the time, and I still can't watch Aladdin without needing to brush my teeth.

Back then, those things seemed to end my world. Every slight real or imagined. Every event. All larger than life. The fact that I remember them all. That I can laugh at my teenage self. That I can still sympathize with my teenage self all while knowing that not only do things get better but that they get great. So much more amazing than I could have ever imagined. Those are the reasons that I think I'm a good (or just okay, whatever) YA writer.

Well, that and because I have a wish-granting coffee mug, but don't tell anyone.

Friday, April 3, 2009

Happy Friday

Today is a busy day so I'm just going to leave you with this video. I can't decide what made me laugh more, the white girl in the tan pants dancing or the fact that the guy in the blue sweater carried a jar of mayonnaise around for the first half of the video. Happy Friday!